This journal that Olivier Laurent have do some research that are able to help on my research topic and this some of the point that are share in the article to support my argument.
In the articles, Olivier used some quote from other professional to support that statement . Karim Ben Khelifa said that instagram is a good tool to interact directly with the follower and is a social network that suitable for photojournalist rather than facebook. Karim also state everyone these days communicate with photographs.
Instagram was liberating for journalists and photographers, says Karim Ben Khelifa. "In most cases, we never really meet our audiences, and with Instagram you can interact directly with your followers. When you think about it, Instagram, more than Facebook, is the perfect tool for photojournalists. Everyone communicates with photographs today. Of course, when we post images on that platform, we're not necessarily telling a story like we usually do - with 15 images, for example. But there's a sort of romanticism, where we seek beautiful or incredible images."
This statement help me on supporting my argument on Instagram is social network app rather than just a photo editing and sharing application.
In the article Olivier also give some example of professional photographer using instagram to do some data collecting. Tomas Van Houtryve, a VII photographer, Instagram has allowed him to take pictures he'd stop taking altogether. Tomas Van Houtryve said that sometime he hesitate to take a photo due to the huge raw files but with instagram he can just capture the moment he want. Although VII need some the perfectly images but something he still can use instagram or phone to capture photo as a visual notepad. When the idea take hold he will only go out with the more advanced camera.
But that is some other issue that were brought out by Olivier during his research. Facebook is using Instagram's data and content to generate revenues, which the photographers that using the apps lost their ownership and copyright of the images.
"with the fear of Facebook using Instagram's data and content to generate revenues, photographers have been rethinking their approach to the platform. Should they take the risk of losing ownership over some of their images in order to create a community of followers, or should they stop using the service altogether?"
"We've become complacent with the only commodity we have as photographers - our copyright - in our near unfettered embrace of sharing our content with for-profit companies such as Instagram," says John Stanmeyer, one of the original founders of the VII Photo agency. He also said that he want to owe Facebook, twitter and Instagram and whatever other brilliant means of digital communication is invented to thrive and survive. He also respect that his friend and colleague is sharing their meaningful photo to the people out there with social network without caring the profit the can earn with it.
Beside that some photographer use Instagram as a tool create awareness and gather followers.
It's for that potential that photographer Peter DiCampo and writer Austin Merrill moved Everyday Africa, a photography blog about everyday life across the African continent, from Tumblr to Instagram last October. "It has actually been the ideal platform for Everyday Africa, considering the project's goal is to remind a general public that Africa is more than just a place of extremes," As of 28 January, Everyday Africa had more than 17,000 Instagram followers and nine regular contributors, including photographers Shannon Jensen, Holly Pickett and Laura El-Tantawy, among others.
Ben Khelifa also agree that using instagram is a benefit to get resource to support their work. By sharing the photo and message by using social network can easily get more attention from viewer and in the future maybe will have some people that are interested to finance them. He add "we see it, concretely, with Emphas.is," a crowd-funding platform he created with Tina Ahrens to help finance the work of documentary photographers and photojournalists." Photographers have to accept that while Facebook, Twitter and Instagram can help them gather a community of followers, these platforms are not interested in helping their users monetise their audiences.
(Emphas.is is an online platform where photojournalists can submit projects for crowdfunding by the public.)
Ben Khelifa says the debate isn't about what platform photographers should use. Instead, "the debate should be about click-through rates. If you have 100,000 followers with a CRT of 1%, it sounds small, but actually it means that 1000 people are ready to spend money on you. On Emphas.is, the average spent in 2012 was $113. So, with a click-through rate of 1%, that means you'd be getting more than $100,000 a year. This allows you to be independent."
But when comes to copyright issues, not everyone agree on the way forward."It is impossible for us, as professionals, to accept these terms," says photographer Ed Kashi. "First of all, it goes against everything we've worked so hard to protect for decades - that we own our work and can control it. But more than that, how can Instagram expect to monetise images of people who are recognisable without model releases? They aren't thinking clearly."
But Ben Khelifa argues that with the advanced technology everyone can easily print screen or download the images from the internet so, the question should be: can we fight these advances and the millions of people who are consuming images in that way? Or should we accept this new form of consumption and instead look at how we can bring them closer to us, how we can interact and benefit from them.
Ben also said that if there are no audience, the images are pointless. So they should change a position to re-figure out the situation maybe in some point they can monetise them.
For photographers, there are one way to secure their image copyright is too watermark the image before they share it online, making them unusable in advertising.
The app Marksta, which was developed by John D McHugh, himself a photojournalist, is to watermark the image after capture from digital devices before sharing on the photo sharing apps.
John D McHugh also been testing other photo-sharing platforms such as EyeEm and Flickr beside instagram and he say that the feedback from EyeEm and Flickr cannot compare with the kind of number you get from instagram . He tells BJP. "Instagram has a massive community."
References
Bjp-online.com. 2012. The New Economics of Photojournalism: The rise of Instagram - British Journal of Photography. [online] Available at: http://www.bjp-online.com/british-journal-of-photography/report/2202300/the-new-economics-of-photojournalism-the-rise-of-instagram [Accessed: 2 Aug 2013].
This articles that post by Olivia had list down some of the famous photography though about the rise of instagram and how it affect their works.
Bjp-online.com. 2012. The New Economics of Photojournalism: The rise of Instagram - British Journal of Photography. [online] Available at: http://www.bjp-online.com/british-journal-of-photography/report/2202300/the-new-economics-of-photojournalism-the-rise-of-instagram [Accessed: 2 Aug 2013].
This articles that post by Olivia had list down some of the famous photography though about the rise of instagram and how it affect their works.